Geoff Zanelli · Composer, Squadron 42

He did. But okay, that would have been long after I was [there]. But yes, he did. But Face/Off, funny enough, was actually what got me hired. It was John's first big Hollywood production. He needed an assistant right away. It was a similar thing. He had a pretty short schedule, not quite as bad as Pirates, so he needed someone right away to just kind of be there and run largely tech support. I was loading samplers and getting there early in the morning to make sure everything was working, so we could sit down and work right away, and that kind of thing. But I loved it. And that's the thing: someone let me in the studio door and I just never wanted to leave. It still doesn't really feel like work. I mean, of course it is, but...